Ekphrasis is a concept from ancient Greece (who loves a good concept) describing the creative writing action that is inspired by a work of art. Is an art of safety guidance Ryanair Boeing 737? Well, a plane man made some Ekphrasis with it, so I said yes. It was a short itching game, recording the life and time of a man named Johnson, his love for the yellow living, the feeling of his existential imprisonment (although there was a high number of escapes easily), and those liberation pleasures could only be found in yellow slides.
The developer of Beogan Hackett, also known as Hyphinett, said: “It is always my dream when I can produce entirely interactive works by using my phone in my pocket and I think this game has been completed deeply for me for that.” Kat Brewster previously wrote some lovely words about Hyphinett’s game and other horror in this work on how the loan engine was very good for Lo-Fi Spooks. You can find Hyphinett’s collective bits here.
Perhaps there is something noble to talk about how to seek inspiration in pragmatic images, mass production speaks of the spirit of the times, but I think hackett mainly wants to do something interesting on a long flight. I mostly spend a long time to make a list of increasingly annoying facial expressions of anyone who continues to bring me free Gin and tonic, so this seems to be much more effective.
But I am very interested in the natural mind jumping into the inanimate images or other regulations, and the joys in the joke of symbolic meanings of overthrowing the feeling like a very ancient and very instinctive game. A very small example of this is the sign of “no trumpet, best friend”. It also reminded me a little about Joe Richardson’s adventure games using Renaissance art as the last four things. And then a pedestrian – a puzzle game with friends playing as a silhouette of public signs.
