The introduction of the mood and elegance of The Witcher 4 is a “adaptation” of a planned task from the upcoming RPG, CD Projekt has confirmed, designed to show the “difficult choice” in the store and more specifically a new female character out of the main character. All of which is from a new production video, also falling into the design of the monster of the trailer, Bauk – a part of the goblin, a part of Scorpion, Part Jaguar and Part Dinosaur.
The Witcher 4 – Official behind the scenes
https://www.youtube.com/watch?v=aJWV9SYPKHW
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Perhaps you do not need CD Projekt to spell these things – the trailer is completely delicate – but it is also useful anyway to get some brief knowledge about how the introduction is related to the main game.
The trailer took place in the village of Stromford, where the tradition of sacrificing young girls came to Bauk to stop it in the town and ate everyone. Shenanigans classic Grendel. Mioni is the latest sacrifice. She also, in some way, Doppelganger of Ciri. “Mioni and Ciri are a bit [like] Each other’s examples, “Filipino reported director of the Philippine comment in the video.” Stromford’s tradition means that Mioni must be sacrificed. It was her fate, and she accepted that fate. Ciri is known as a person who does not accept destiny. She fought back to it. ”
The trailer broadcasted this reflection by opening with Mioni was undressed and the bathing ritual for sacrifice, while Ciri was imagined. “We are in parallel with the traditional preparations that Mioni experienced, and then the Witcher preparations that Ciri experienced,” Weber added.
The overall idea behind the trailer is to convey the emotional flow of a Witcher 4 mission, and convey that Ciri can react differently to such situations compared to the Geffalo Grizzlyony glem, the hero of the first three Witcher video games. In fact, Glem’s trailer is an oppressive character, in reality. In the voice of the accompanying voice from Mioni’s father, who praised the sense of altruism and sense of her obligations, Weber commented that “the really important thing is to write this monologue in a way that Glem can say this about Ciri.”
For Sebastian Kalemba, game director, that link “makes me feelings, because this is something [Ciri] Fighting with her whole life. Almost all the time, someone wants something from her. ”
The introduction of the announcement ended with Mioni killed by the superstitial villagers after Ciri defeated Bauk. But that is not necessarily the way it happens in the game, of course. Weber ended the creation by clarifying that “this trailer is an adaptation of a story that we really want to tell in the game”, not a straight story about a set task. “We will not give you a black or white situation,” he continued. “We hope you will consider a number of situations, make some difficult options and for example, the situation that can occur after the introduction is over, is such a difficult choice.”
All of this is consistent with the previous CD Projekt’s comments on how The Witcher 4 will explore the attitude towards gender. “Ciri is a woman, and a witch in this world, this is an abnormal state,” I Weber observed in December. “So I don’t think it will be this story everywhere, but because this is part of this world, and we want to solve many different topics, it will definitely appear there.”
Important Chaser: Can compare all of this with the portraits of femininity and ejaculation weapons of the male eye in teasing the first Cyberpunk 2077 of CD Projekt in 2013.
